Contemporary Visual Culture and Art

Design Principles for AI-Assisted Filmmaking: Lessons from ‘Our T2 Remake’ and Beyond

Authors

DOI:

https://doi.org/10.63385/cvca.v1i1.60

Keywords:

Artificial Intelligence (AI), Video Production, Generative AI, Human-AI Collaboration, Media Ethics

Abstract

The integration of Artificial Intelligence (AI) in video production represents a fundamental transformation in creative workflows, production methodologies, and content distribution. Through a comprehensive review centered on Our T2 Remake (OT2R) — a groundbreaking 2024 collaborative reinterpretation of Terminator 2: Judgment Day by 50 artists using generative AI — this article examines how emerging technologies are reshaping traditional production paradigms. The study employs a systematic methodology combining technical analysis, user behavior patterns, and industry practices to investigate AI’s impact on creative workflows and collaborative frameworks. Our findings reveal critical insights into successful AI implementation strategies, highlighting the importance of balancing technological capabilities with human creativity. In particular, OT2R’s decentralized production model demonstrates new possibilities for democratic, inclusive filmmaking practices. The analysis extends beyond technical considerations to examine legal, ethical, and cultural implications of AI integration in creative industries. This article contributes to the field by providing both theoretical frameworks and practical insights for AI implementation in video production. The evidence suggests that while AI offers unprecedented creative possibilities, successful integration requires careful consideration of user behavior patterns, workflow dynamics, and ethical constraints. These findings carry significant implications for future production methodologies, indicating how thoughtful AI integration can enhance rather than replace human creativity.

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How to Cite

Design Principles for AI-Assisted Filmmaking: Lessons from ‘Our T2 Remake’ and Beyond. (2025). Contemporary Visual Culture and Art, 1(1), 1–22. https://doi.org/10.63385/cvca.v1i1.60